The materials of high ancient jades (before Han Dynasty) are from local jades, Hetian Jades from Xinjiang, mostly from seed materials or mountain water materials in the river bed. These two kinds of jades have formed jade skin and Qinse in different external environments due to the long time of stripping the deposit. But the ancients made jade that the skin and Qin were all impurities and removed them, only preserving the essence of jade. (some of the Shang Dynasty's small animals had jade skin and clever coloring). Most of the ancient jade articles were colored with color. Different jade quality, different region, different soil environment, different burial time and other factors lead to different Qinse of jade. Sometimes there are several Qinse on a piece of jade. It can be concluded that ancient jade is true or false by distinguishing its various colors. Now we see that the color of the real ancient jade is all after it is made. High ancient jade is mostly used by emperors, royal officials and dignitaries. It has profound connotation in material, manufacturing technology and cultural atmosphere. In addition to appreciating the ancient jade carving skills and appreciating the historical and cultural connotation of the verve flying in the high ancient jade, playing with a piece of high ancient jade is like reading the legend of a long history. The human story played by the ancient jade in the hand is vague and considerable, ancient and harmonious, human jade is smart, and the mood of the player can not be expressed in words. The high ancient jade of great value has a very exquisite craftsmanship. Whether it's a shallow relief sculpture, an openwork sculpture or a Yin line depiction, it's simple and delicate. The "eight swords of Han Dynasty" and the double groove milling method (also known as "hairline carving") are more difficult to imitate nowadays.
Ming and Huang Cheng's "painting records": "painting gold, a clay painting paint, that is, pure gold flower text. Zhu Di and black are suitable. Its text takes mountains and rivers, feathers, flowers and fruits, character stories, etc.; while the thin hook is the Yang, and the dredging is the Yin, or the black Li, or the colorful golden statue. " Shen Fuwen's "painter's information" specifically introduces the production process of gold paint decoration: "the polished flat tire is painted, and then painted with red or black paint, which is called painting. After drying and polishing After the light is pushed to be bright, use the bucket transparent paint to mix the color paint. Trace the pattern on the surface of the lacquer ware, and then put it into the greenhouse. When the paint is going to dry, use a silk cotton ball to brush the thinnest gold or silver powder on the pattern, and the pattern will become gold and silver. " The lacquerware made by this method has a brilliant effect. As early as the Warring States period and Han Dynasty, China had mastered the method of using gold. By the Song Dynasty, there were lacquerware with gold patterns. Qiu Ying of Ming Dynasty was good at making gold colored lacquer.
Qianzhentang Auction Co., Ltd.
In order to support the Chinese art market, protect and excavate artistic and cultural relics in different periods of China, combine art with economy, excavate the value behind the art of cultural relics, let more people understand the cultural relics, and promote the art with Chinese characteristics to a broader stage.
AAfter many investigations, Chengdu, the administrative, cultural and economic center of Southwest China, which has a large number of folk collections and a good preservation of ancient Chinese culture, was selected as the art collection center. Therefore, after preparation, Sichuan Qianzhentang Auction Co., Ltd. was established.
Sichuan Qianzhentang is mainly engaged in collecting, auctioning, exhibiting and exchanging cultural relics and works of art, aiming at promoting the Chinese nation's culture through various cultural exchange activities, improving the status and influence of Chinese art in the world, and providing a high-level and high-quality collector and institution at home and abroad with a smooth flow of things and their best use. Space for cultural exchange. Sichuan Qianzhentang adhering to the principle of "operating according to law and putting credit first", combines art with economy perfectly with abundant talent advantages, rigorous attitude of audit, exquisite quality of collection and unblocked customer network.
Sichuan Qianzhentang's business scope includes holding large and medium-sized art exchange, exhibition, appraisal, restoration, art information, auction and so on; its art collection category covers Chinese calligraphy and painting, porcelain of various periods, ancient jade, contemporary jade, diamond private customization, jewelry private customization, ancient books stele, oil painting carving. Sculpture, ceramic jade carving, bamboo and wood tooth horns, golden and bronze Buddha statues, wooden furniture, contemporary crafts, etc.
With the vigorous development of the domestic art market and diversified demand, Sichuan Qianzhentang will open up a special field of category with sustained innovation. It intends to carry out professional special projects such as calligraphy, study, jade, snuff bottle, golden and bronze Buddha statues and contemporary arts and crafts, so as to make positive contributions to refine the aesthetic horizon and guide the special collection.
Sichuan Qianzhentang will also cooperate with large overseas auction companies responsible for sales to expand the collection channels to the world, and build an international art trading platform with high reputation to facilitate the high volume of overseas cultural relics return. Up to now, Sichuan Qianzhentang Auction Co., Ltd. has successfully held many kinds of overseas collectors'special auction, covering Britain, France, Australia, Canada, Italy, Dubai, the United States and other places.
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